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Promises, Promises (or, Edible Feedback)

by C Alexander

/
1.
Constant 06:09
I've been feeling my age again Couldn't get out of bed Feeling too old for this I've been making my own bed lately. I'm such a good little boy! But I'm getting too old for this I've been walking with my fists balled Down Cookman Ave. All of my friends are gone Everybody I know is either Pregnant, married, high, or dead Or you You can make me run into a flame You can make me forget my own name You can tie a string around your little finger - Pull it back And though I'd never leave my lover's side I will always run when I am tied Just to feel the tension around my neck I guess this is how it's going to be You keep betting on my bad heart, And banking on my bad memory (Or selective, defective, deluded, or full of shit, or whatever) And all these trap-doors that I keep leaving out for you Are all the same ones that I keep falling through And there I am: another high school freshman Alone in the hall Who goes in like a lion and out like a lamb. The fear of a child with the mask of a very old man You can make me run into a flame You can make me forget my own name You can tie a string around your little finger You can pull it back when I get far And even though I'd never leave your side I will always run when I am tied Just to feel the tension around my neck Just to know that you would want me back If only I could travel back in time If only I could act my age for once If only I was younger than I was
2.
It was a typical November, drunk and depressed I was overtired and underdressed She asked me if I ever felt cold? She had vintage outfits and crushing debt A high regard for her intellect She asked me why everything gold Loses a little luster with a little rain? How statues, once mighty, turn a shallow green? She asked me if I ever felt old? I took her hostage when I took her hand She had legitimate prescriptions on her doctor's plan She warned me that they weren't that strong But if you take two or three then they'll be good enough And if you take six or seven then they'll be good enough And if you take ten or twenty then they're never enough The wind blew in from the arctic shelf I was inside with somebody else I knew it but I didn't feel Didn't feel wrong Sarah could have died in Connecticut With her Japanese dress turning white and wet She asked me if I ever felt cold You have games like a child, you know how to win them I have wheels like a car, you know how to spin them You have teeth like a shark, you know how to shine them I have blood on my hands, you know how to bind them
3.
Who treats love like a vacancy To be filled at the earliest opportunity? Who needs someone to meet each day? Who keeps pushing who away? Who runs in to the nearest bed Via highway or plane? And whose pink skin turns the rawest red After one hour of who's own name? Whose gold ring is to tight a fit? Who expects who to pay for it? Who makes promises? Who's untrue? Who keeps secrets away from who? Who needs the last word in every fight? Who here is happy and who here is right? Who's got an answer for every charge? Who keeps taking a step too far? Who here speaks of some divine grace The second that someone else's embrace Dissolves to sweat on the poor soul's arm? Who can get out of this unharmed? Who's got a mouth full of ash and grime? Who thinks who's been a waste of time? Who doesn't get what they expect? Who thinks the future is worse than death? Who's afraid of The Howlin' Wolf? I am/fuck you.
4.
Well there isn't much to look at When the winter clouds obscure the setting sun And the shadows of the mountains Hover around you like a coliseum of ghosts And a city girl gets lonely, And a city boy will talk to anyone Who will fill the finest points inside her With a hammer and a post I heard you say you were returning Although we both found it unwise But I kept silent: I was anxiously awaiting your Pair of greenest eyes Well the airport closes the early And it's still a good two hours in the snow And it flies into your windshield Like the stars were thrown in terrifying winds It reminds you of the time you saw them Frozen by their supernatural glow When you thought that they'd been dead forever You thought you knew just where they'd been We watched the moon shine on the ceiling Although it wasn't in the sky But I swear I saw something shining on the edges Around your greenest eyes It was black and white and dull and grainy The way it always is in photographs And I was crawling naked on my hands and knees Before I fell into a hole And you started throwing dirt on me, Stopping only when you heard me laugh. You can fill a hole with anything But I doubt you'll ever keep it closed I heard the door as you were leaving I can't say it took me by surprise But I turned over in my bed still half-expecting Your pair of greenest eyes
5.
6.
You've got something I want I think you know it Something that's heavy and charged On the tip of your tongue Another smaller hole to throw down the canyon You go in blind, dive in behind it again Another step to the right And then you're off again Arrivals and departures Behind your eyes The grass is growing green on the lawns of your lovers You never give it the chance to grow dry underfoot You keep your hands to yourself and you sing That you're "all out of love" You put your arms at your sides and you tell me "It's the wrong kind of love" You press your lips into the speaker And tell me there's a secret: "If I want more of it I'll get less of it But 'waiting' is just slang for 'alone.'" So rip me up into shreds And build me up again Tear my clothes off Let them fade in the sun A broken egg that rots and runs in the gutter A yellow mess that's better left underground She closes the door. "Don't come any closer. There's someone listening behind the shades. There's blood all over your back like an army of razorblades Had tried to find another way in Had set up a camp underneath your skin." So thread the film in the reel, And play it til the end. I'll be waiting alone in the lobby again. You keep your hands to yourself and you sing That you're "all out of love" You put your arms at your sides and you tell me "It's the wrong kind of love" You press your lips into the speaker And tell me there's a secret: "If I want less of it I'll get more of it But waiting is just hiding. Who are you fooling? But 'waiting' is just slang for 'alone.'"
7.

about

Deluxe Rerecording and Reimagining of an EP Released in 2013, containing alternate versions

credits

released December 31, 2012

All tracks written, performed, and recorded by C in the Cuck Shed March - May 2018

EXCEPT:

Track 3's bass performed and recorded by Jim Chorman in Hamilton Twp, NJ. Right speaker guitar inspired by Tommy Blaney's part recorded in 2012.

Track 4 was tracked in the following basements: vocals and left-speaker guitar at Joshua LaParade's in Red Bank, NJ; rhythm guitar and bass at Josh Morman's in Howell, NJ; Tommy and Brian Blaney's basement in Eatontown, NJ, in the spring of 2011. Remix and additional instrumentation during the new sessions.

Track 6 was recorded live at Broken String West in Logan Square, Chicago IL 12/30/15.

Track 5 was written by Prince, (c) 1984 Controversy Music, ASCAP
Tracks 1, 3 and 4 (c) 2012 I Survived Music, ASCAP.
Tracks 2 and 6 (c) 2014 I Survived Music, ASCAP

These rerecorded represent facets of songs I discovered on open-mic nights throughout Chicago, IL. This album is dedicated to strangers bringing new thoughts to old feelings.

These are digital home-made recordings. A splendid time is guaranteed for somebody.

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